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The Daily Probe -- January 24, 2000  Top5 Productions
 Jan 24, 2000 10:20 PST 
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    Please attach the following line to any forwarded portions:
    [ Copyright 2000 by Chris White     in-@dailyprobe.com ]
        

                         January 24, 2000

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[                          DOMESTIC NEWS                          ]
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             HABITAT FOR INHUMANITY GETS BUSY IN 2000

WOBURN, MA (DPI) - Habitat for Inhumanity announced it plans to
build 15 new dwellings for the underprivileged in Woburn that
experts promise will, "totally mess with the tenants' minds."
Exiled from Habitat for Humanity for refusing to make right angles,
wire an electrical plug safely, or make the distinction between
hot and cold running water, the builders feel their charitable acts
are largely misunderstood. Psychologists agree that forcing people
to live in a house with no right angles, oddly sloping floors and
ceilings, false perspectives, electrical outlets wired for European
electrical currents randomly placed in the ceiling, toilets with
hot water supply lines, and cooking equipment located only in the
master bathroom, can quickly create distress among the occupants.
Tenants of the last Habitat for Humanity house Bucknick's crew
worked on complained of vertigo, nausea, and existential angst
after living in the house for only two days. One tenant said,
"With every flat plane sloping either toward or away from an
imaginary vanishing point at angles impossible for the human brain
to comprehend, and the constant stench of a toilet supplied with
nearly boiling hot water, I've turned to the writings of Sartre
and Kirkegaard to try to make sense of a world in which God is
dead and my electrical outlets won't power anything except my
Mentos night light."

Despite criticism, Bucknick is adamant about continuing to help
the local community. He has no plans to stop building homes for
the underprivileged critics have called "hellishly surreal."
"I heard the same complaints from the people who moved into the
state institution for the criminally poor I built in Peru, but you
don't hear any of them complaining now, do you?"

- Reported by Martell Stroup

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             BUSH HELD BACK TO REPEAT IOWA SCHOOL VISIT

DES MOINES, IA (DPI) - GOP front-runner George W. Bush (Huh? - TX),
flunked a last-minute campaign appearance at an Iowa school on
Friday. While visiting a history class at Santayana Elementary
School,
a reporter asked Bush what he would do to ease tensions between
Congress and the United Nations, and Bush responded with his
patented: "Whatever's right." This answer did not satisfy fourth-
grader Alfie Sprouts, who pressed Bush to clarify his answer.
"What does that mean? What is the right thing to do?" Bush thought
for a moment, smirked, and clarified: "I'll do what's fair."
Alfie's friend, Ernie Corn, then questioned, "What's that?"
When Bush faltered, the teacher, Mrs. Applecart, had to remind him
to keep his eyes on his own paper.

Bush tried to get out of his hole: "Um, it's about, you know,
the world. The world is big. Real big. And there's people in it.
Real people. Did you kids ever see that show? Byron Nelson was a
card. Uh, what was McCain's answer? 'Cos then I can say that
whatever he proposed is risky. Is that good?" Bush was able to say
that if elected he would appoint Carmen Sandiego his U.N. Secretary,
"'Cos she seems to know where places are and stuff. Like Dutch.
I can never find Dutch on a map." Mrs. Applecart had to leave to
break up an eraser fight between Al Gore and Bill Bradley, and did
not have time to comment on Bush's answer.

- Reported by Jonathan Colan

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                        DEAD MEN DON'T DUET

LOS ANGELES, CA (DPI) - Elektra Records has announced a new project
it is hoped will provide a new direction for Natalie Cole, an
Elektra artist whose sales have flagged since she made the last
raid on her father's hit list. Nat "King" Cole, the singer's father,
made a string of incredible number one hits before his tragic death
in the early 1960's. Since 1991, Ms. Cole has made a career out of
plundering these hits, looking for places to insert her own special
brand of vocal filigree wherever her father, in his wisdom, held a
note or, God forbid, paused for breath.

With two such grave-robbing efforts under her belt, it was thought
that she should look elsewhere for a catalogue to sully, especially
since all that remains of her father's catalogue is several hundred
cuts of amazing trio jazz which, while strong evidence of the man's
genius, aren't exactly radio friendly for an early-millennium
audience that demands space for a diva to really fly. Swoopy strings,
not jazz-band vamping, are what sells these days. Therefore, Ms. Cole
will now enter into a series of ghostly duets with another King,
Elvis Presley, the late "King Of Rock 'N' Roll."

A CD is expected to be released in late April, or as soon as
engineers can replace all the soul in the recordings with the
aforementioned swoopy strings as well as artificially insert
"cushions" for the Ghoulish Diva's cadenzas. This first CD will
contain the expected slow-burning numbers "Can't Help Falling
In Love," "Love Me Tender," and "Unchained Melody," as well as
special re-bastardized versions of "Hound Dog," "Jail House Rock,"
and a retitled "Blue Suede Pumps."

Reached for comment, Clester Arron Leslie, a mere convenience store
clerk in Watchout, Arkansas, said, "If I were dead, I'd be turning
in my grave. Thank you very much."

- Reported by Brian Jones

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                    WHO, INDEED, WANTS TO KNOW?

HOUSTON, TX (DPI) - The television program, "Walker, Texas Ranger,"
has unintentionally opened a metaphysical can of worms. The scene:
in the program of January 15, 2000, Ranger Walker approached an
airplane mechanic to inquire as to the particulars of the mechanic's
employment as well as of any potential criminal activities of his
employer. As is customary in such scenes, the camera was positioned
inside the hangar so that the viewer could see the mechanic working
on the plane as well as the sight of Walker entering through the huge
hangar doors. Walker approached the mechanic and asked a question as
he walked. The mechanic, also following the age-old standard script,
stood and wiped his gleaming wrench with a rag (a portent of the
violence to come, or suggestive of homoerotic foreplay?) and
responded in a thick hillbilly drawl, "Who wants to know?" only he
pronounced it more like, "Whew wuntz t'KNOW?!" with bucktoothed,
spittle-spraying emphasis on the last word. When Walker identified
himself as a lawman, the simpleton mechanic was instantly transformed
into a fighting dervish, swinging his wrench with murderous intent.

The suddenly-demonic mechanic was, of course, no match for the highly
trained Ranger Walker, who stepped in close where the wrench could
not find him and then used secret Oriental fighting techniques to
snap the man's arm bones in two. The airplane mechanic violence that
reliably follows the answer to the question "Who wants to know?"
leaves mystified viewers wondering: Is there any answer that would
not provoke conflict, or is combat inevitable? Must the protagonist
stand so close to the mechanic when he asks his provocative question,
seemingly inviting a wallop from the wrench? Is this particular
brand of struggle in fact a metaphor for the struggle between
society (Walker) and the vanishing species that is the blue-collar
worker (the mechanic)? Does Walker have special elastic jeans that
allow him to kick so freely even though they are so tight? And
what's the story behind that bad hairpiece??

The CBS switchboard was flooded with calls during the commercial
break, demanding answers to these and other questions, as well as
the reinstatement of "Dr. Quinn, Medicine Woman."

- Reported by Chris Jones

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